Literature

2 articles

A dimly lit, sophisticated room with two figures embodying intellectual smugness, contrasted with a single bright light on an open notebook, representing suppressed creativity.

Ayşegül Savaş Explores Smugness Hindering Creativity

In just four pages, Ayşegül Savaş's 'Future Selves', published in The New Yorker , dissects how a seemingly cultured couple's self-image of hospitality crumbles when confronted by a truly open spirit.

Jonah Kline·May 24, 2026

A lone figure on an Istanbul bridge at dusk, contemplating the city lights, symbolizing the themes of estrangement and identity in Ayşegül Savaş's story.

Lifestyle

Ayşegül Savaş Reads 'Many Worlds' in Istanbul's Unsettling Return

Ayşegül Savaş revealed a personal sense of estrangement while writing 'Many Worlds,' her New Yorker story, mirroring the subtle discomfort her characters feel upon returning to their familiar...

Adrian Vale·May 24, 2026